White on White is an installation freely inspired by the white interiors of Charles Rennie Mackintosh, a pioneer of late 19th-century architectural modernism. For the Scottish designer valuable ornaments had to be made of the most durable material and “placed where they were most solid”. Following his words we imagined a process of replacing and rewriting domestic ornamentation with a solid and long-lasting material such as natural stone. An operation between the ironic and the glitch that imagines geometric cushions, chairs, seats, and decorations in all shades and variations of white, for a collective break space, just like in the meeting rooms he decorated in Scotland in the early century.